JULIETTA GUERRA
Julietta Guerra is a fashion and textile designer based in Buenos Aires known for her avant-garde approach, as well as the founder of the womenswear brand Julietta Guerra.
Her work moves between art, garment-making, and performance, developing wearable pieces that emphasize materiality, craft, and form. Influenced by wabi-sabi and slow craft, she works through a hands-on process that values time, experimentation, and the visible trace of making, embracing transparency, authenticity, and an artisanal finish to expand her visual language. Guerra’s process embodies a spiritual practice, where the act of making becomes a performance filled with intention and artistic expression.
She graduated from Istituto Marangoni in 2024. In 2023, she participated in Argentina Fashion Week and received Istituto Marangoni Miami’s Fashion Design Scholarship. In 2025, she presented her collection at El Paseo Fashion Week ’25 and Miami Fashion Week, highlighting an artisanal and experimental approach.
juliettaguerraofficial@gmail.com
@juliettaguerraofficial
DROPX01 | New collection available online
Her work moves between art, garment-making, and performance, developing wearable pieces that emphasize materiality, craft, and form. Influenced by wabi-sabi and slow craft, she works through a hands-on process that values time, experimentation, and the visible trace of making, embracing transparency, authenticity, and an artisanal finish to expand her visual language. Guerra’s process embodies a spiritual practice, where the act of making becomes a performance filled with intention and artistic expression.
She graduated from Istituto Marangoni in 2024. In 2023, she participated in Argentina Fashion Week and received Istituto Marangoni Miami’s Fashion Design Scholarship. In 2025, she presented her collection at El Paseo Fashion Week ’25 and Miami Fashion Week, highlighting an artisanal and experimental approach.
juliettaguerraofficial@gmail.com
@juliettaguerraofficial
DROPX01 | New collection available online
El Paseo Fashion Show ‘25
OTHER PROJECTS
SARA BATTAGLIA RED COLLAR COLLABORATION
TALENTO Y ORGULLO | MENTION OF HONOR UNIVERSIDAD DE PALERMO 2025
TEXTILE SCULPTURES
Textile Sculptures, is a manifesto of her dedication to pushing the boundaries of visual and tactile art. Each piece is a conceptual sculpture that embraces the raw and handmade, revealing the true essence of the fabric through exposed seams, raw edges, and a deliberate emphasis on process. Utilizing techniques such as deconstruction, gathering, and pleating, alongside natural materials like linen and organic cotton, Julietta’s creations stand as unique, unreproducible works that reject mass production. This collection invites wearers to experience fashion as an organic, living form that tells its own story, embracing imperfection and the beauty of the one-of-a-kind.
"The hardest thing to do is something that is close to nothing."
Marina Abramovic
Avessa Magazine Article “What Refuses to Break: the quiet power or resistance”,
feat fashion designer Julietta Guerra
The embodiment of healing through nature.
Julieta Guerra’s approach to craftsmanship blends traditional techniques with modern innovation to create unique textile sculptures.
Her work emphasizes handmade processes, raw details, and natural materials, reflecting a commitment to sustainability and slow fashion. Through methods like open knitting, pleating, and biomaterial integration, she pushes the boundaries of textile manipulation, crafting one-of-a-kind, artful pieces that embody her philosophy of transparent, curated fashion and elevate garments into wearable art.
over time; strong; receptive; everchanging; evolution.
when I create these garments I feel safe, I have control but also I do not have it at all.
Photography Flavio Iryoda
Models Fang Fang Ruose & Mena Lombard
Assistants Mariana Jimenez & Isaac Echeverría
argentina fashion week ‘25
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I integrated biomaterials as sculptural accessories within the collection’s runway presentation. These elements were handcrafted using an experimental blend of gelatin, glycerin, vinegar, and knitting, resulting in a tactile material that echoed the raw and organic essence of my garments.
The biomaterials acted as extensions of the body and the silhouette, positioned as collars, cuffs, or layered details that reinforced the collection’s visual language. Their presence on the catwalk introduced a dialogue between impermanence, texture, and wearability, aligning with my vision of fashion as a living.